Friday, August 22, 2014

Blog Hop: #MyWritingProcess

Here's a thing I've never done before. I was tagged into this blog hop by C. Stuart Hardwick, one of the writers of Tides of Possibility and the Co-editor of my current project, Tides of Impossibility. Anyone following the #MyWritingProcess tag will find these questions familiar. For the rest of you, hopefully you enjoy the insight!


#MyWritingProcess: What are you working on now?

Kyle: Today, I came out to the cafe to write a short story that will be going in the back of a friend's novel. It's a bit of a deviation for me because the sci-fi element is super slight and it focuses on the romance between the two lead characters. So, yeah, I'm writing something sappy and trying to resist the thousands of ideas on how to turn it into a tragedy.

Other than that, I'm still reading through submissions to Tides of Imposibility (here I'm resisting the urge to rush the work. Slow and steady gets it done right), waiting on beta readers to get back to me about my fantasy novel manuscript, and trying to find time to get together with my collaborator on another project. For me, writing is all about time management, which is unfortunately not a talent of mine. Never any shortage of projects to work on, just a shortage of time to spend on them.

#MyWritingProcess: How does your work differ from others in the genre?

Kyle: I can go from romance to horror in about five words, and if I want, I'll try to juggle them. This is kind of a difficult question, but let me answer it this way: I don't apologize for the things I write. I do not write gently. I write violently. I write ruthlessly. One of the things I love about prose is that I control what my readers see, what they look at, and how long they have to stare at it. My stories often force my readers to look at things they wouldn't choose to look at, and to look at it very closely for a long time, and to notice things about it that they might not have seen on their own.

I'm disappointed by writing that leaves things out because they're too graphic or extreme or awkward or difficult to write. I don't do that. Things that other writers would avoid or set off-screen, I'll make pivotal. I'll push the reader right up against it.

This comes in to play a lot in predictable ways, such as gore during violent scenes. But it comes out a lot in the romance and beauty as well. I don't shy away from mixing beauty and ugliness, because that's what people are. I'll write a beautiful person covered in blood and vomit, and they'll still be beautiful underneath it. The world is like that. I might go from writing the most violent thing in the world in one paragraph to writing the most romantic thing in the next, without losing any of the violence. Often I'll make my readers trudge through entrails to get to the beauty, and sometimes the beauty isn't what you're expecting. But it's there, covered in the ugliness, no less beautiful because of it.

The typewriter save points in Resident Evil are about to make perfect sense.

#MyWritingProcess: Why do you write what you do?

Kyle: I don't know. I just write and this is how it comes out. Ernest Hemingway said "There is nothing writing. All you do is sit down at a typewriter and bleed." And that's exactly what I do. I poke holes in my fingertips and this is what bleeds out: strong hate, strong love, hideous things I can barely stand to look at, and beautiful things I'm left struggling to capture. More than writing what I feel, I write what I am, and sometimes a bit of the world around me slips in.

In the metaphor where prose is blood, this is what my target audience looks like.

#MyWritingProcess: How does your writing progress work?

Kyle: Lists. You'd think somebody who writes based off of feeling and instinct wouldn't plan their work a whole lot, but I outline meticulously. I have layers and layers of outlines before I begin. I have to start with a name for the project, names for the characters, character sketches, a plot outline, knowing exactly where scene-breaks are going to be and how many of them are going to be there. In addition to outlining what scenes I need to write, I outline the very innards of the scene. I make check-lists of points I need to hit in every passage, plan how many words I want to spend on each point, and keep these lists available as I write.

I do this because I need to feel so deeply when I write. Because I can't stop bleeding once I've begun. I get all the thinking out of the way up front, because I'm going to lose the ability to think as soon as I begin. I'm going to hit the 'play' button on whatever music helps me feel (often posting it to twitter as a proclamation that the bloodletting has begun) and then I'm going to feel deeply. The descriptions and flow will take care of themselves; they'll come from the emotions and the immersion. I'm not going to follow my lists. I'm going to go over my word-limits. I'm going to overwrite every single line.

Then, when  get my brain back later, I'll rewrite it into something coherent, keeping the emotion, pulling it back under control, and making it marketable.

See, I'm the statue on the left. And the three-headed monster in the middle is Amazon. How's that for a monomyth?


And, done. I'd like to thank Stuart for tagging me into this, and you can read his answers back here. They're far more coherent and interesting than my answers. As for who I' tagging next?... Nobody! I'm sorry, readers, but I was the last in the chain of people to get asked, and everyone I've poked about it has declined or already been poked. Keep following the tag, though, as I'm sure I'm not the only link on the chain! If any of my writing friends wants to volunteer, I'll edit a link in here, but for now, the hop is mired at this point.

Saturday, July 26, 2014

Tides Signings

At a panel at the Barbara Bush Library in Cypress, Texas. From Left: Myself, E.L. Russell, Rebecca Nolen and Lilia Fabry.

I love that I can now plug Tides of Possibility up for sale on Amazon as a print of ebook, and that means I'm also promoting all of the writers there in. I met a lot of great, creative people while working on this project, and I can't wait to start going to events with the local writers. I was just at the Barnes & Noble at the River Oaks shopping center making plans for an August 9th signing that will feature myself and several of the anthology's writers. Actually, I think I have an advert around here somewhere...

There it is!

If anyone wants to pick up a signed print copy of the anthology, that's the first opportunity. The next? On August 15th there's going to be an event at Writespace in downtown Houston, at 8pm. Myself, Erin Kennmer, C. Stuart Hardwick, Lilia Fabry and Mandy Broughton will be reading our stories and signing books. Even if you already have a copy, it's still worth coming out to hear the readings. I'm really looking forward to it!

And that's just the first half of August. Will there be moroe? I sure hope so. I was kind of already talking to people about setting some up. So, I'll see you around Houston (and don't forget to come see me at COSine in Colorado Springs come January)!

Sunday, May 25, 2014

A Comicpalooza Retrospective

Yes, yes, there is one day left on Comicpalooza, but the last day of a 4-day con is usually much smaller scale. So many people do what I do and burn themselves out on the first two days of the con, then spend the third trudging around and accidentally buying things on the dealer floor (for me, this was every issue of Red 5's Neozoic except, of course, issue #1. Darn) that by the time day four rolls around, we're not even sure if we can make it to the convention center. I'm leaving myself open to taking tomorrow off because my last panel was today, because I haven't seen Days of Future Past yet, and because I have anthologies that need editing (I may have forgotten how to take days off).

First lesson from Comicpalooza: lines suck. I was able to evade a lot of lines by being a panelist, but I still wanted autographs from the cast of Agents of S.H.I.E.L.D., which I had to stand in line for on two separate days. Still, worth it. I got a picture with J. August Richards (so did a lot of people) and Elizabeth Henstridge blessed my marriage by wishing us good luck, in ink, next to her signature. That's got to be at least twice as effective as the blood rites I'd been planning.

Myself, my fiancee, and Deathlok. Probably my favorite character. I geeked out a little.

Second lesson from Comicpalooza: Being on panels is fun, and I'm surprisingly okay at moderating them. Also, it's really encouraging to have someone come up to me after a panel and tell me that they thought it was awesome. As anxious as I was to moderate the Gender in Science Fiction panel, especially after witnessing the absolute disaster that was Denver Comic Con's Presentation of Women in Comic Books, it meant a lot to me that the panel went over so well that someone stopped me in the hall to say so. The thanks for that goes to the other panelists: D.L.Young, Antha Adkins, and Keri Bas who very strongly and rightfully disagreed with me on a few points. The panel was very energetic and I learned a lot from being part of it.

Another attendee spoke up bravely to say that they appreciated my choice of writing a gender-fluid character into the novel I'm working on, which is all the encouragement I need to renew my energy to do so. Themes of gender are important to me, and as a writer it's a powerful moment when my target audience tells me that it's important to them, too!

My co-panelist on the Plotting and Pacing Short Stories panel, David Sidebotham of Unfinished Creation, also made me look a lot smarter than I should have (which I need a lot of help with some days). When it comes to making a great panel happen, the others on the panel with me are my best resource.

Myself and David Sidebotham. Not pictured here: during the panel What Makes Monsters Terrifying, David became uncomfortably excited about monsters with pustules. It was adorable.

It was great running across friends and colleagues from as far away as Colorado, like Peter J. Wacks, whom I haven't seen since last year's DCC. Nothing like seeing how far a fellow writer has come since last meeting him, plus picking up a signed copy of his new epic fantasy and meeting his new coauthor.

While it can be tiring and difficult, this weekend has reminded me just how invaluable it is to do cons like Comicpalooza whenever I can. It's not just making the professional connections and speaking on panels, but about the living, breathing culture that spec fic is part of. I love my role in this culture, I love my readers, and I love events like this where all the best parts of the scene boil over.

I won't be at Denver Comic Con this year on account of getting married (which feels important to me), but I do plan on attending more cons and events throughout the year, beginning with a Sci-fi panel at the Barbara Bush Branch Library in July and including COSine in Colorado Springs at the end of January. I'll be growing between now and then and can't wait to have even more to share with the community.

Thanks to everyone I saw and met at Comicpalooza!

Thursday, May 22, 2014

Ready for Comicpalooza

I'm going to be hitting Comicpalooza this weekend with some of the authors from the Tides of Possibility science fiction anthology, and post cards with the cover art on them, and you can have one if you can find me. What panels can you see me on? Glad you asked!
  • What Makes Monsters Terrifying: Friday the 23rd at 1pm.
  • Gender in Science Fiction. Friday the 23rd at 4pm.
  • Plotting and Pacing a Short Story: Sunday at 10am. Bring coffee!
For those wondering, the anthology is still expected to go to print and ebook simultaneously sometime this fall. There should be a call for submissions for its sister anthology, the fantasy one, in a few weeks. Am I going to do more anthologies this year? You bet! I'm rolling some ideas around with my colleagues at Comicpalooza, so there should be news on even more upcoming publications sometime around the time I'm done collecting submissions for the fantasy anthology.

Tuesday, March 25, 2014

"Tides of Possibility" now on Kickstarter

Around 6pm yesterday I pushed the 'launch' button on the Tides of Possibility's Kickstarter campaign, and a little less than 24 hours in it's more than halfway to it's funding goal. This gives me a lot of hope for the stretch goals we set out. You can probably imagine how much I'd love to add more writers to the project (the first stretch goal), not mention publish an entire anthology full of fantasy (the second goal).

I'm really looking forward to this next month and seeing what I can do with this. Even though I was pretty confident this Kickstarter would succeed, I also had a dissonant anxiety since it is the first I've ever run. If it goes as well as it looks like it will, I can definitely understand now why so many spec-fic publishers are making heavy use of it. It's letting me deliver the perfect pitch and sell a high-quality product, and that's just a lot of fun for people like us.

You can see the Kickstarter page here.